I think I need a colder sleeping bag. Once again, I missed the exact moment of sunrise by just a few minutes. By the time I had rolled up my sleeping bag and stuffed everything back into the rucksack, the sun was a few degrees above the horizon. It wasn’t a bad place for the morning photos, though. Actually, looking at my first shot of the day, the sun had been behind cloud up till then, so I wouldn’t have had a sunrise over the ice floes.
I was able to get very close to some of the icebergs near the harbour, and was tempted to try and get on one. However, I sensibly didn’t succumb to these foolish ideas.
There seemed to be a bit of headland round the corner, so although the signs warned of a closed road, I started walking, The road veered away from the coast, and while there were things to photograph in the beautiful snow and sunshine, I decided to start hitching. The road signs said it was seven kilometres to Cape Notoro, and it would be a shame to miss the good light.
A gentleman went past and waved. I thought he was saying “no,” but then he pulled over. He turned out to be a professional photographer, and seemed to like the photos on my namecard. He gave me some of his postcards of Masshuko Lake, and suggested that I could come with him for the day.
The ice floes around the cape were amazing. It felt like I was closer to the North Pole - I could walk there if I wanted. I rushed round, worried that the clouds were blowing in. They quickly passed, though. I took some photos of other photographers, and of the lighthouse. The occasional bus-load of tourists came for their quick snaps.
We drove along the coast, stopping to take snaps at various points along the ice-filled coast. My driver was amused to learn that I had slept outside. Last year, the temperatures had hit -30 Centigrade. At one point, he let me run down to the shore, clambering over the sea defences to get as low as I dare for one photograph. It was quite slippery, and I’m not sure the iceberg I chose benefited from the low angle.
For lunch, we met up with another friend who was the stationmaster at a small nearby railway station and ate noodles in a new, brightly-painted restaurant.
The photographer wanted a shot of a train emerging from a tunnel. He found the road to the overlooking hill and we waited. Suddenly it appeared. I shouted, “ah - kita, kita!” (It’s here!) since the photographer wasn’t quite behind his camera. I think he managed to get his photo. I waited until the train fully filled the frame before taking the picture. It’s a pity the train was diesel, not steam. I tried using my 4x digital zoom to take a picture of the Aurora ice-breaking ship, but the quality drops off rapidly.
Next stop was a community centre for the town of Shari. The gentleman was the judge for a photography competition. Several hundred photos, perhaps even a thousand, were spread on desks in a large hall. It was very interesting to see the sort of photos that were entered. Most were normal snaps, a few taken at times when the light was exceptional. I was asked for my opinion a few times, but felt I ought not to influence a decision in any way. One photo that I found great wasn’t even shortlisted. It was a row of tall trees that seem to be a symbol of the area. The photographer had put the closest tree right in the centre of the picture. I would have been tempted to put the tree to the right, but I liked the photograph. Perhaps my judgment was more based on what the picture seemed to be saying to me, rather than photographic elegance.
The decision process was quite lengthy. I wandered round the building. It was an interesting blend of natural wood and boldly-painted girders. As such, it attracted my attention and so I decided to take some photos. The intricacies of the woodwork were difficult to show, but the overall effect was very pleasant. I respect architects who have the ability to coordinate contrasting forms, colours, and textures in to harmonious coexistence. I am apt to select only unifo rm colours or shapes. The front room of my house in Cambridge is pale yellow, with dark yellow highlights.
We drank some coffee with the community centre boss for a while. I think they were discussing some form of Omiyage (gifts) and the suggestion of a CD ROM came up - it is cheaper to produce than a calendar or telephone cards. They took a look at my CD.
The sun was already dropping in the sky when we set off. There wasn’t time to get to the coast. I wasn’t quite sure what the professional photographer had in mind to photograph, so we passed several trees that I thought might give a good sunset image. By the time we reached the sea, the sun had gone. I took some photos of the tracks of an animal - probably a fox - perhaps returning home.
The question of where I wanted to go to tomorrow arose. I thought I should hitch to Lake Shikotsu, but perhaps the roads would still be blocked up. In the end, the gentleman phoned his friend and we went to his house for the evening. Their young children were somewhat shy but pleasant. I gather they are learning English at school and kindergarten. We had a delicious meal.
> The friend showed me some of his photos of local plants. Seeing the whole photograph, I thought they were interesting, though not exceptional. Later, though, I saw the cards he had made by choosing only a small part of each photo - the animal or flower. I was impressed at his ability to see the beauty of the part when photographing the whole. That is also a remarkable skill. My photos are framed for the boundaries of the lens. It would be useful if Canon put in the grid lines for composing horizons, and allowed a variety of ratios of photos (4:3 or 3:2 or panorama) by shading out areas of the screen.